In Bed With The Feminists
In these poems, Liz Breslin traces her own truths through Siri, Cixous, supermarkets, spin cycles, pillow gaps facing away from the door and kissing with tongues at the traffic lights. Excavating feminism, mothering and queerness, she writhes into unexamined spaces, using form to play her way. She writes for the ear, for the page, for the body and mind. These are poems you’ll want to get in and out of bed with.
This is Liz Breslin’s second poem collection, part of which won the 2020 Kathleen Grattan Prize for a Sequence of Poems. Her first collection, Alzheimer’s and a spoon, was listed as one in the NZ Listener’s Top 100 Books of 2017. Liz was a virtual resident at the National Centre for Writing, UK, in February 2021, where she documented life through the peregrine webcam on Norwich Cathedral in a collection called Nothing to see here. In April 2020 she co-created The Possibilities Project with Dunedin UNESCO City of Literature.
In these poems, Liz Breslin traces her own truths through Siri, Cixous, supermarkets, spin cycles, pillow gaps facing away from the door and kissing with tongues at the traffic lights. Excavating feminism, mothering and queerness, she writhes into unexamined spaces, using form to play her way. She writes for the ear, for the page, for the body and mind. These are poems you’ll want to get in and out of bed with.
This is Liz Breslin’s second poem collection, part of which won the 2020 Kathleen Grattan Prize for a Sequence of Poems. Her first collection, Alzheimer’s and a spoon, was listed as one in the NZ Listener’s Top 100 Books of 2017. Liz was a virtual resident at the National Centre for Writing, UK, in February 2021, where she documented life through the peregrine webcam on Norwich Cathedral in a collection called Nothing to see here. In April 2020 she co-created The Possibilities Project with Dunedin UNESCO City of Literature.
In these poems, Liz Breslin traces her own truths through Siri, Cixous, supermarkets, spin cycles, pillow gaps facing away from the door and kissing with tongues at the traffic lights. Excavating feminism, mothering and queerness, she writhes into unexamined spaces, using form to play her way. She writes for the ear, for the page, for the body and mind. These are poems you’ll want to get in and out of bed with.
This is Liz Breslin’s second poem collection, part of which won the 2020 Kathleen Grattan Prize for a Sequence of Poems. Her first collection, Alzheimer’s and a spoon, was listed as one in the NZ Listener’s Top 100 Books of 2017. Liz was a virtual resident at the National Centre for Writing, UK, in February 2021, where she documented life through the peregrine webcam on Norwich Cathedral in a collection called Nothing to see here. In April 2020 she co-created The Possibilities Project with Dunedin UNESCO City of Literature.